There is also the raw self evidence of the play on words

There is also the raw self evidence of the play on words

WHAT We WILL BE SAYING about A Wish Have fun is not necessarily as we've seen it here, 1 but as We've contemplated it before, throughout the mind's eye, having some regret the fact that, while I'd long been tempted to stage it, for some reason or other—perhaps the preventing prospect—I certainly not came in order to perform it. That the idea is getting consideration today, and not really merely here, may be telling you something, yet as along with their Swedenborgian intimations, triplex cielo, occulted symbols, often the “round bored holes together with a clover leaf inside the front door, ”2 the particular visual warp of the shown refractions or, using a number of shifts and reversals of eyesight, recessions associated with overall look in a sort regarding video camera obscura—the dark photograph of your cloud muting the dark picture of a good tower—we may not be sure what it will be. As well as, maybe, chair , just very sure, so substantially so that at some psychic level we could hope we didn't find out, such as the Quarantine Master at the Dire Straits who wants he could forget (238). And if, for Strindberg, what there is to be identified came in quite a few gauge from the vicissitudes from the unconscious, with the libidinal material transformed into phallic aconites together with vulvous grottos, or an organ growing to be Fingal's Give, there is also the raw self-evidence, the banality, brutality, inequi