Another highlight is the raw self proof of the play on words

Another highlight is the raw self proof of the play on words

WHAT We WILL BE EXPRESSING about A Desire Take up is not necessarily while we've seen it here, 1 but as I have considered it before, around the mind's eye, along with some regret that, while I'd long been lured to stage it, for some reason or other—perhaps the forbidding prospect—I never ever came to be able to carry out the idea. That behavior is getting consideration nowadays, and definitely not simply below, may be telling you something, but as using the Swedenborgian intimations, triplex cielo, occulted symbols, the “round bored holes together with a clover leaf in the entry, ”2 often the visual warp from the mirrored refractions or, with certain shifts and reversals associated with perspective, recessions connected with appearance in a sort associated with camera obscura—the dark image of your cloud muting often the black picture of a good tower—we may not be sure what it will be. Or perhaps, maybe, appallingly, simply also sure, so significantly so that a few free psychic question level we might hope we didn't find out, just like the Quarantine Master on the Dire Straits who would like he could forget (238). And when, for Strindberg, just what there seemed to be to be regarded came in several gauge from the vicissitudes of the unconscious, with the libidinal material transformed into phallic aconites and vulvous grottos, or the body organ turning out to be Fingal's Cave, there is usually also the raw self-evidence,